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Sep 09
Thursday

Who is Melinda Snodgrass anyway?

After eight years as a novelist which included the publication of her CIRCUIT trilogy, and co-creating, editing, and writing for the Wild Card series, Melinda began her career as a story editor on STAR TREK:TNG, and wrote the Writer's Guild Award nominated script THE MEASURE OF A MAN. She worked for REASONABLE DOUBTS, and PROFILER, wrote six pilots, and had one produced and aired, STAR COMMAND. She is currently working on the third book in the EDGE series, has delivered the first book in a new urban fantasy series, and is starting on the second.  She has two screenplays currently under consideration in Hollywood.

“If H.P. Lovecraft and H. L. Mencken had ever collaborated, they might have come up with something like The Edge of Reason . This one will delight thinkers--and outrage true believers--of all stripes.” --George R. R. Martin
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Daily Quote

Intolerance is the natural concomitant of strong faith; tolerance grows only when faith loses certainty; certainty is murderous.

Will Durant (1885-1981)
Tags >> hollywood

The Mainlining Problem

Posted by: Melinda

Tagged in: writing , hollywood

In addition to a lot of Wi sports games and head shaking over Sarah Palin there were in fact some discussions about writing and other creative matters. Months ago I wrote about the unsatisfying experience of mainlining Battlestar Galactica vs. Buffy or Dead Like Me. I mused about whether a show runner/creator needed to think in terms of how people watched television in this era of Netflix.

Well, Connie reopened the conversation when she talked about renting and watching Poldark the old BBC Masterpiece Theater historical soap that ran years ago. She had loved the show, and found the weekly cliffhangers to be incredibly gripping and exciting. She would spend the week wondering if Demelza would go back to Ross, or what was behind the door, etc. But now she was watching the shows back to back and she found it "flat".

This was my opportunity to raise my question - how do you make it a satisfying viewing experience when you have to service two forms of viewing? Cordelia nailed it. She said that you had to look at the old soap formula. You have three distinct story lines running at the same time. One is being resolved. One is at the tension filled mid-point and one is just getting started. As we talked we began to realize that this was probably not a bad way to run a book series either, and it has sent me away to ponder all this. If I ever do get another shot to create a show for Hollywood I'm going to be thinking back on this Thanksgiving conversation.


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